Thursday, November 15, 2012

Omeros: Questions (and Insights)


Post a summation of our readings and discussion of Omeros, nothing esp. elements of the story that still elude you. Our interest is in drawing conclusions and finding insights, not in producing a literary essay.

Omeros is fashioned after epic Greek poems such as the Iliad and Odyssey. It is a narrative poem that deals with many characters who move between the reality and idealism; real and illusion; St. Lucia in the Caribbean, the great North American midwest, and Africa; and hope and cynicism. Of course, to separate any thought and dilemma into two parts (dichotomous thinking) may prove to be simplistic and a hindrance, rather than a help, to elucidating meaning and purpose. For Omeros, I think this is true. There is an abundance of layers of characters and their plot lines; the meeting points coincide and miss each other on purpose to create a bewildering array of things to take note of and remember. A few ideas that seem to reappear during the course of the poem is the idea of racism and color; power and purpose of trances or the realm of spirituality; native and non-native tensions; white colonialism and imperialism; essence of history and remembering; and voyaging and searching for truth. Also noted are the characteristics of contemporary literature, namely, being a literature of witness, exile, evil, and identity.

Some questions I have are interested in these reoccurring ideas:
  • How closely is Walcott identifying with Homer, the author of the Iliad and the Odyssey? Why choose Homer (i.e. Why not another epic poem author such as Milton?)
  • Are the layers of the palimpsest (as seen in characters, plot lines, themes) in Omeros converging on a single conclusion or idea? Or are they separate, individual pieces with their own stories that may or may not relate to an overall theme?
  • Is there an overall theme or continuity line that holds Omeros like a backbone?
  • Why does Walcott insert himself into the story? Why not substitute the/an unnamed narrator back into the piece? What is the relevance and purpose of the author being a character interacting with his created characters?
  • How does Omeros deal with the contemporary literary themes of witness, exile, evil and identity? 

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